ARTICLES

From the Polder Sofa to Frog Table and 300 coloured vases, Hella Jongerius has spent three decades proving that industrial design can retain craft, variation and material intelligence.

Gagosian’s ambitious London exhibition places René Magritte beside more than forty artists. For collectors, its real value lies in separating meaningful artistic inheritance from superficial resemblance — and in seeing why Magritte’s central problem, the unstable relationship between image and reality, feels newly urgent.

Forget trying to see everything. Our collector’s guide to Frieze London and Frieze Masters identifies where discovery, scholarship and genuinely useful market intelligence are concentrated in 2026.

At Gagosian New York, Jordan Wolfson gives circulating images physical weight, turning polished aluminium, reflection and spikes into a confrontation with screen culture.

For his first UK solo presentation and first exhibition with David Zwirner, Daichi Takagi turns stones, moonlight, leaves and ancient trees into paintings poised between exact observation and the surreal.

LACMA’s largest survey of Reiko Sudō and NUNO asks a collector’s question hiding in plain sight: when does fabric become an authored, editioned and historically important object of design?