Nearly 150 works from RM’s collection meet SFMOMA in a major exhibition of Korean modern and contemporary art. Its real lesson is how a private collection develops a coherent eye.

Thaddaeus Ropac’s representation of Denzil Forrester places one of Britain’s great painters of dub, dancehall and Black social space inside a new international chapter.

At Perrotin London, Iván Argote celebrates fifteen years of Mamarrachos by turning scribbles, gallery rules and institutional authority into an unusually playful form of critique.

Cindy Sherman’s new Fabric Matrons series turns Chanel fabrics, ageing, jewellery and self-invention into an unsettled study of who fashion allows to remain visible.

Minor Attractions returns for its fourth and largest edition, taking over 16 rooms at The Newman with more than 75 international participants. For collectors, the appeal is not simply that it is smaller than the major fairs, but that its hotel format changes how art, galleries and audiences meet.

Yelin Lee's Ghost Play transforms emojis into sculpture, uses chroma-key screens and a two-minute delay, and turns visitors into their own fleeting afterimages.