LATEST NEWS:
Jenny Holzer & Andy Goldsworthy win 2026 Praemium Imperiale • €9m Renoir museum heist in France • Dimitris Daskalopoulos donates 51 works to museums in Greece & Scotland • Artist Lucien Smith dies aged 37 • Faro Santander opens with 1,000-work collection • Argentina orders return of Nazi-looted Old Master • Greece rejects Parthenon Marbles loan request • Smithsonian chief Lonnie Bunch announces retirement
ARTICLES
A Painting in the Rubbish: Jacques Goudstikker and the Collector’s Moral Duty of Provenance

A Nazi-looted painting from Jacques Goudstikker’s collection reportedly survived for years in an Amsterdam cellar after being found in street rubbish. Its return is a lesson in why provenance never expires.

The $450 Million Collection Nobody Saw: What the Blaquier Trove Says About Power, Privacy and the New Auction Market

A reported $450 million Blaquier consignment at Sotheby’s is more than a trophy sale: it is a test of how privacy, provenance, guarantees and collection identity create value.

Stolen to Order? Inside the Antonello da Messina Heist — and the Invisible Market for Art That Can Never Be Sold

The theft of four Antonello da Messina works from MuMe exposes a paradox at the heart of art crime: the more famous a masterpiece becomes, the harder it is to turn into money.

APOLLO AND COMPANY: Augustas Serapinas Puts the Classical Body to Work

At Nottingham Contemporary, the gym has entered the museum — but the weights have been replaced by fragments of art history. Lithuanian artist Augustas Serapinas has transformed two of the institution’s largest gallery spaces into something caught between an art school, a sculpture studio and a functioning fitness centre. Physical Culture, his first institutional solo exhibition in England, brings together steel exercise machines, easels and sculptural casts that reference everything from student studies to some of Western art’s most familiar ideals of physical perfection. Among them are replicas derived from Michelangelo’s David and the Apollo Belvedere, figures that have spent centuries functioning as models of the idealised male body. Here, however, their authority is subjected to a rather different form of pressure. They become weights.

What 50 Years of Collecting Can Teach Us: Inside Eileen Harris Norton’s ‘Destiny Is a Rose’

As Hauser & Wirth’s landmark exhibition of the Eileen Harris Norton Collection enters its final weekend in Los Angeles, ARTCOLLECTORNEWS looks at what one of America’s most influential collectors can teach us about building a collection with conviction.

Artist interview with Sophie-Yen Bretez

Following her selection as the latest ARTCOLLECTORNEWS Open Call winner, Sophie-Yen Bretez discusses the ideas that underpin her practice, the relationship between material and memory, and the importance of creating work that invites sustained reflection. Rather than following trends, Bretez's work unfolds through careful observation and a nuanced engagement with contemporary experience. This exclusive interview offers collectors an opportunity to discover the artist behind the work and the thinking that continues to shape her evolving practice.