Four early Yayoi Kusama watercolours preserved in Joseph Cornell’s archive reveal how friendship, receipts and archival care can transform provenance into art history.

At Reina Sofía, Felix Gonzalez-Torres’s candy spills, paper stacks, curtains and light strings reveal why participation can be generous without ever becoming easy.

Claude Lalanne’s fifteen mirrors for Yves Saint Laurent and Pierre Bergé sold for $33.455 million at Sotheby’s in April 2026. The record highlights how exceptional design, provenance and the growing dialogue between art and interiors are reshaping collecting.

Suzanne McFayden’s new Austin home offers a rare lesson in designing around a mature collection: less gallery-white neutrality, more atmosphere, edited hangs and rooms that allow art, furniture and personal history to shape one another.

Frieze Seoul is five years old, more than 50 participating galleries now have permanent Seoul spaces, and the city’s museum calendar is stronger than ever. The real story is not one fair—it is the infrastructure growing around it.

From Roy Lichtenstein’s final year and Taryn Simon’s Guggenheim rotunda to Brice Marden, Torkwase Dyson, Thomas Ruff and Independent 20th Century at the Breuer: the exhibitions collectors should prioritise in New York this September.