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Berlin Art Week 2025: Urgency, Beauty, and the City as Stage

From private collections to performance interventions, Berlin Art Week 2025 confirms the capital’s role as Europe’s most experimental stage for contemporary art.

Berlin Art Week 2025: Urgency, Beauty, and the City as Stage

Every September, Berlin Art Week signals the start of the European art season. For 2025, the city once again becomes a sprawling stage—over 100 museums, galleries, project spaces, and private collections open their doors, presenting works that oscillate between the intimate and the political, the beautiful and the unsettling.

This year’s tone is clear: urgency. Climate instability, identity, memory, and the re-thinking of bodies—these themes run like threads across the week, weaving shows that are both reflective and defiantly playful.

Berlin Art Week 2025 offers art enthusiasts a rare opportunity to step beyond public galleries and explore the intimate realms of private collectors through the "Discovering Collections!" initiative. This program provides guided tours of personal art spaces, revealing how collectors’ narratives, aesthetic choices, and cultural influences shape their selections. Featured collections include Katharina Garbers-von Boehm’s focus on women artists, with works by Marianna Simnett and Sophie Esslinger, and Brigitte Trotha’s blend of classical modernism and contemporary pieces, including works by Richard Artschwager and Olafur Eliasson. More than just private viewings, "Discovering Collections!" invites visitors to reflect on the diverse ways art can be experienced. The event takes place on the evening of Saturday, September 13, 2025, by appointment only, offering an exclusive glimpse into the personal art worlds that define Berlin’s contemporary scene.

Marianna Simnett, Photo: Curtis Hughes

But Berlin Art Week 2025 is not just about established names—ss about energy, experimentation, and the thrill of discovery. Emerging galleries and independent art spaces injecting the week with a vibrant, fearless spirit. They presented work that challenged conventions, addressed urgent social and political issues, and offered collectors a glimpse of the future of contemporary art.

The Power of Hair: A Symbolic Thread

BAW25 Heidi_Jim Shaw_Hair House_2013(detail)_ourtesy of the artist and Heidi-min.jpg

At the heart of Heidi Gallery’s 2025 exhibition lies Jim Shaw’s Hair House (2013), a sculptural installation that reimagines the iconic fairy tale of Rapunzel. Shaw’s piece features an intricate structure made from synthetic hair, paverpal, fiberglass, urethane resin, and stainless steel, standing at . The work evokes themes of entrapment, identity, and transformation, inviting viewers to reflect on the multifaceted symbolism of hair in cultural narratives.

“Hair is more than just a physical attribute; it’s a powerful symbol of identity, power, and vulnerability,” Shaw notes.

Must-See: Ho Tzu Nyen – Timepieces (2023)

At Neugerriemschneider, Ho Tzu Nyen’s Timepieces (2023) offers a mesmerizing meditation on the fluidity of time and memory. As part of his solo exhibition 2 Stories: Voids & Times, Nyen layers video projections, sound, and digital interfaces to invite viewers into a space where historical and personal timelines intersect. This immersive installation is both contemplative and visually striking, making it a standout stop for collectors and art lovers seeking a profound engagement with contemporary narrative art.

BAW25_neugerriemschneider_Ho-Tzu-Nyen_Timepieces_2023-min

Christelle Oyiri & Neva Wireko – Hauntology of an OG (2025)

During Berlin Art Week 2025, Christelle Oyiri and Neva Wireko present Hauntology of an OG, a compelling video installation exploring memory, identity, and the lingering presence of cultural legacies. On view at LAS Art Foundation, the work combines Oyiri’s ongoing investigation of the digital gaze with Wireko’s engagement with Afrofuturist aesthetics, creating a layered narrative that reflects on the ghosts of past icons and their influence on contemporary selfhood. The video’s immersive atmosphere, punctuated by haunting visuals and rhythmic soundscapes, invites viewers to contemplate how histories—personal, collective, and digital—shape the identities of the present.

BAW25_LAS_Christelle Oyiri and Neva Wireko, Hauntology of an OG, video still, 2025. Courtesy the artists, LAS Art Foundation, Amant, and Pinault Collection..jpg

Collector Insights: Why Young Galleries Matter?

Emerging galleries are at the heart of this dynamic ecosystem. They introduce fresh perspectives, champion experimental practices, and serve as incubators for new talent. For collectors, they are not merely aesthetic destinations—they are early entry points into conversations that may define the next wave of contemporary art. Investing in works from these spaces allows collectors to acquire pieces of cultural significance while potentially anticipating future market leaders.

For collectors, Berlin Art Week 2025 also presented direct engagement with artists such as Amelie von Wulffen, Sarah Meyohas, and Jana Euler. Their works blend intellectual rigor with market foresight, offering collectors a rare convergence of aesthetic enjoyment and strategic insight. Acquisitions here are not just transactions—they are active participation in the shaping of cultural discourse.

Berlin Art Week reaffirmed that emerging galleries are more than stepping stones for collectors—they are essential to the vitality and evolution of the art world. Engaging with these spaces allows collectors to discover fresh talent, support innovation, and take part in the conversations that will define contemporary art for years to come.

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